In Which I Trade New Stories for Old

"Fangs for the Mammaries" @2023 by Clyde Caldwell

It’s been another long dearth of posts, but I assure you, it’s for a good reason. When we last left our intrepid writer, he was modifying Civil Blood‘s sequel to match up with real-world molecular biology. What’s been going on since then?

Writing. Lots of it. By day, I’m working away on Wayfinder for Airship Syndicate. I recently graduated from contract writer to full-time senior writer, and the game is closing in on its Early Access date. Therefore, for the first time in a few years, you might be able to play a game and see my dialogue and text, out in the wild.

By evening, I’m writing the second installment of the Skia Project, the technical name for the world of Civil Blood. I’m not a fast writer, but I’ve gotten up to about 38,000 words, with a target goal of 100,000 to 130,000. That’s about the same size as Civil Blood, which clocked in around 129,000 and fit into just under 400 pages. Naturally, just because I reach the end of the novel doesn’t mean I click on Amazon’s buttons and hit “upload” right away. I put Civil Blood through about ten drafts before I felt it had the punch it needed: pacing, stakes, beautiful turns of phrase. The sequel might not take quite as many drafts, but I don’t want to skimp on quality. The “too long, didn’t read” here is that I’m making good progress, and I’m committed to it.

But oh, are there other projects percolating in my brain. I’ve had not one, but two dreams — literal dreams — about Shadowrun projects that made me wake up and say, “Huh. Could I write that?” It turns out independent authors have been invited to contribute to the game’s universe with a profit-sharing deal, and the temptation is strong. I will probably focus on my own universe for the foreseeable future… but never say never.

And then there’s my daily shot glass of nostalgia. This year has hit me hard with good memories of tabletop roleplaying games. Let me break down just how much TTRPGs have meant to me this year:

1) I play an MMO in which I run into TTRPG gamers all the time. On the Everlasting server in City of Heroes: Homecoming I met up with the players who play Vampire: The Masquerade and Legend of the Five Rings characters. This got me telling stories of the best V:TM tabletop campaign I was ever in, and I thought, “You know, that’d make for an okay series of blog posts, both to amuse the players and help Storytellers with some basic principles.” So I’m posting that ASAP.

2) The Dungeons & Dragons: Honor Among Thieves movie came out, and it was everything I wanted the 2000s D&D movie to be. I wish it had been more profitable, but I’ll take what I can get.

3) I ended up following some topics on Quora, Reddit and Twitter, and the trifecta means I end up reading conversations about the TTRPG scene, which I haven’t been in for a long time. Doesn’t matter that most of the talk is about D&D and not my preferred games, I still grok the language, and have nothing against the big dog.

4) My son is getting to be an age where his friends are starting to play. We had a boffer-stick LARP birthday party for him, and it was highly successful — no crying, no excluded kids, the teams were even, a generally great experience. Our family tried Werewolf: The Apocalypse during the pandemic quarantine as a way to pass the time without interacting with other kids, but that’s a distant memory now. He’s going to try D&D later this summer.

5) Some of the Bioware fans have found me on Twitter and they ping me with Codex questions and the like, so I’m not escaping that world any time soon, either.

6) Wayfinder is a fantasy RPG that reminds me of some of the high school AD&D games I used to play in. One of the main writers is Keith Baker of Eberron fame, so fantasy RPGs are in the DNA of everything we do.

So, with all that said, I’m going to walk down memory lane with the Shot Glass of Nostalgia page. Because while I have new stories to tell, there is value in the old ones. And to all those who have never heard them… perhaps they will smile as well.

We will start with a vampire buffalo. Or, at least, a would-be vampire buffalo, and why my wife was Prince of a city and never got deposed.

In Which “The Texas Chainsaw Massacre” Meets Miyamoto Musashi

Many years ago in Los Angeles, I was up late at night watching the Independent Film Channel. This was around the time of the breakout success of the Blair Witch Project. It being October, the traditional horror month, the IFC showed the original Texas Chainsaw Massacre. By way of introduction, they asked some film expert why he thought indie horror films spawn stories of phenomenal success. Studio films like those of Alfred Hitchcock in his ’60s oeuvre were carefully crafted, but indie horror, particularly in the ’70s to ’90s, had many stories where the not-very-cerebral flicks were made on shoestring budgets and still became wildly popular.

The expert said, “Well, when you watch an Alfred Hitchcock horror movie, you’re in suspense because you’re in the hands of a master. When you watch an indie horror movie, you’re in suspense because you’re in the hands of a f**ing maniac.”

It is with that spirit that I present to you a bit of roleplaying game writing my wife and I did long ago. Because I liked gamemastering samurai horror, and it wasn’t because I was Hitchcock.

I dug these out of the vaults, as it were. There’s three adventures, all tournaments for the samurai fantasy tabletop roleplaying game Legend of the Five Rings. They put the players through their paces with roleplaying challenges, a little mystery, and combats. They were playtested in gaming tournaments at the Origins and Gen Con conventions, over the course of three separate game sessions apiece.

I doubt I’d ever call what I did in tabletop games “wildly popular,” but some fans liked the work enough to archive the original versions of these adventures on the L5R fan site Kaze No Shiro. To add a little value here, I’ve cleaned up the old versions’ visual presentation and added a few sections based on fan feedback.

Curious gamemasters can read “Mirror, Mirror,” “Fortunes Lost,” and “Hindsight” here. Curious players who wanna read ’em can get off their duffs and become curious gamemasters.

The adventures are free to download and play. I don’t have a tip jar or Patreon or anything like that. If you liked the games, maybe you’d like my novel.

Vrrrooom vrrroooom vrrrrraaawwwwwr…